He called her Artemis, Demeter, and other fanciful names half teasingly, which she did not like because she did not understand them. Then it would grow lighter, and her features would become simply feminine; they had changed from those of a divinity who could confer bliss to those of a being who craved it.
At these non-human hours they could get quite close to the waterfowl. Herons came, with a great bold noise as of opening doors and shutters, out of the boughs of a plantation which they frequented at the side of the mead; or, if already on the spot, hardily maintained their standing in the water as the pair walked by, watching them by moving their heads round in a slow, horizontal, passionless wheel, like the turn of puppets by clockwork. They could then see the faint summer fogs in layers, woolly, level, and apparently no thicker than counterpanes, spread about the meadows in detached remnants of small extent.
On the gray moisture of the grass were marks where the cows had lain through the night--dark-green islands of dry herbage the size of their carcasses, in the general sea of dew. From each island proceeded a serpentine trail, by which the cow had rambled away to feed after getting up, at the end of which trail they found her; the snoring puff from her nostrils, when she recognized them, making an intenser little fog of her own amid the prevailing one.
All of them, including Tess, are shocked and delighted that Angel would spontaneously extend an opportunity for each of them to be held so close to their "ideal man. Jack Durbeyfield. And on went the churn, and Jack's bones rattled round again. To ward off the men who might find her attractive, Tess puts on a handkerchief as though she has a toothache and clips her eyebrows. Squish, squash echoed the milk in the great cylinder, but never arose the sound they waited for.
Unlimited listening on select audiobooks, Audible Originals, and podcasts. Tess' sordid past continues to haunt her, and she struggles to find a safe place in the world where her past secrets can be left behind.
There was a great stir in the milk-house just after breakfast. Please try again. More likely to ask us to come wi'en as farm-hands at so much a year! He volunteers to carry each girl across the swollen current so that their Sunday frocks are not ruined. Passer au contenu principal. After losing her child to illness, Tess receives employment as a milkmaid, and falls in love with Angel Clare, but will Tess be able to tell him about the dark past that she has so long kept secret?
Touchwood dried, decayed wood or dried fungus used as tinder. Mrs Crick's mind kept nearer to the matter in hand. CliffsNotes study guides are written by real teachers and professors, so no matter what you're studying, CliffsNotes can ease your homework headaches and help you score high on exams.
However, it is Tess' first encounter with her brothers-in-law, and she hears for herself their contempt for her marriage to Angel and for Angel himself — "His ill-considered marriage seems to have completed that estrangement from me which was begun by his extraordinary opinions.
Tess feels that she cannot help giving in and marrying Angel, but feels that it is wrong and it may kill Angel when he finds out about her. Hardy prolongs the conflict between Angel and Tess concerning marriage throughout this chapter, thus illustrating Angel's persistence and the intensity of his love for Tess.
However, in equal measure this demonstrates the great extent to which Tess believes that her history prevents any possibility of happiness with Angel Clare. This persistence and intensity serve to demonstrate the inadequacy of Tess's refusal and inaction. Hardy demonstrates that her refusal stems from some sense of selfishness; Tess believes that she cannot be happy with Angel if he knows about her past, yet she cannot marry him without revealing such details.
Dairyman Crick tells the milkers at breakfast that Jack Dollop just got married to a widow-woman, and never married the matron's daughter. However, by marrying the widow lost her yearly allowance. Crick remarks that the widow should have told Jack sooner that the ghost of her first husband would trouble him. Beck Knibbs, a married helper from one of the cottages, says that she was justified in not telling him, for all is fair in love and war.
For Tess, what is comedy to her fellow workers is tragedy to her. Tess refuses Angel once more. Dairyman Crick sends Angel to go to the station, and Tess agrees to accompany him. The second anecdote about Jack Dollop serves an instructional purpose in this chapter, suggesting to Tess that she is justified in not telling Angel about her now dead child.
Although Tess approaches this decision as one of tragedy, she nevertheless appears ready to accept the idea that she may rightfully withhold this information from Angel.
The decreased likelihood that Tess will reveal her experience with Alec d'Urberville foreshadows greater conflict between Angel and Tess rather than negating the possibility of it; now that Tess may not tell Angel about her past at an opportune moment, Angel may learn of her secrets under less fortuitous conditions.
Tess and Angel travel together on the carriage to the station. Tess considers the various Londoners and such who will drink the milk that they are bringing to the station. Angel once again asks Tess to marry him.
Tess finally begins to tell Angel her history. She tells him that she is not a Durbeyfield, but a d'Urberville. He dismisses that information as insignificant. He claims that he hates the aristocratic principle of blood, but is interested in this news. Angel claims that he rejoices in the d'Urberville descent, for Tess's sake.
Angel realizes when he saw Tess first, at the dance at Marlott. Hardy postpones a tragic encounter between Angel Clare and Tess Durbeyfield in this chapter, as Tess reveals the more palatable secret about her family origin to Angel Clare. The ease with which Angel accepts this facet of Tess's history, however, is more unsettling than cause for relief.
Angel frames the information about her d'Urberville ancestry as greater evidence of Tess's perfection. Tess becomes simultaneously the simple and decent milkmaid and a respectable, noble lady to Angel. This therefore gives more dramatic weight to the inevitable revelation that Tess has had a quite imperfect history.
Tess writes a letter to her mother the next day, and by the end of the week receives a reply. Her mother gives Tess her best wishes and tells her not to tell Angel anything about her past, for many women have trouble in their time and she should not trumpet hers when others do not trumpet theirs.
This advice reassures Tess, who dismisses her past, treading upon it and putting it out as a smoldering, dangerous coal. As a suitor, Angel is more spiritual than animal. Tess worries when the two walk in public as a couple, thinking that it may reach his friends at Emminster that he is walking about with a milkmaid. He thinks it absurd that a d'Urberville hurt the dignity of a Clare. One evening Tess abruptly tells Angel that she is not worthy of him, but Angel tells her that he will not have her speak as such.
Angel asks on what day they shall be married, but he does not want to think like this. The news of their engagement reaches the other milkmaids and Dairyman Crick. Tess tells the other girls that Angel ought to marry one of them, for all are better than she. The girls try to hate Tess for her relationship but Angel, but find that they cannot. Tess operates under a great sense of guilt and paranoia in this chapter, in which her decision to marry Angel and not tell him of her past serves as an accumulating burden for Tess.
She believes that her history makes her unworthy of Angel, yet remains on the course for marriage despite this fact. Although Tess feels reassured by the letter from her mother advising her not to tell Angel about Alec, Tess regains her worry about Angel once the news of their engagement becomes public. This paranoia serves as a motivating force for Tess, once again opening up the possibility that she may confess to Angel her former sins. Hardy foreshadows trouble between Angel and Tess with the descriptions of Angel as a suitor.
Angel loves Tess intellectually, conceiving her as an ideal as well as an actual person. This increases the possibility that Angel may react poorly to news about Tess. This also serves as a greater contrast between Angel and Alec; while Alec is carnal and ruled by his passions, Angel operates under his principles and ideals. Yet his dedication to ideals will prove as dangerous to Tess as Alec's rapacious desires. Tess seems to want to stay in a state of perpetual betrothal with Angel, although the beginning of November seems to be when she will marry him.
The ready bosoms existing there were impregnated by their surroundings. In Crick's telling the story of Jack Dollop, Hardy shows us the dark, real side of humor whereupon many jokes are based. The butt of the joke is usually some person or profession that we might see as humorous. But Tess has lived the tale of Jack Dollop, and she cannot bear being "ridiculed" even though no one at Talbothays knows her story.
When Angel carries Tess across the swollen creek and his preference for her becomes obvious to her companions, the other young ladies are not hurtful or vindictive, as the women at The Slopes were when they realized Alec's preference for Tess.
Of the girls at Talbothays, Hardy says "The differences which distinguished them as individuals were abstracted by passion, and each was but portion of one organism called sex. There was so much frankness and so little jealousy because there was no hope. Instead, they "talked, and ached, and wept till sleep charmed their sorrow away. Hardy presents Angel's character more fully in this chapter. Angel is a man very much intellectually challenged by his world, a man who studies its contradictions and who uses a most subtle approach when he makes his overtures to Tess.
0コメント